Today I'm going to share with you a little trick that a lot of photographers use in their photo editing. I call it 'burning the edges' of the photo. And no, I do not whip out my Bic to accomplish this, especially since this photo exists only on my computer and not in print form.
(Spoiler alert! Next week we're going to use this same photo to produce a very nice black and white photo. Same photo. Same burned edge effect. Same bat time. Same bat channel. Only in black and white. Are you, like, so totally excited?)
Here we have the original photo...
Baaaaaahhh!
Am I the only one who feels compelled to bah when they see sheep?
I know, I know... A couple weeks back I joked around about editing a photo of sheep butts. But this week I'm serious. We're going to edit a photo of a sheep. I am a 'farmer' gal, afterall. Just be thankful that we're working on this end of her body.
So, first thing... We need a little cropping. I really like the detail in the wool, but the body of that sheep on the right is kind of distracting. Also, there is this thing called 'The Rule of Thirds' in photography, that recommends you keep the subject of your photo somewhere along the lines, and in particular, the intersections of the lines, that divide your photo into nine equal pieces. So I decided to crop this photo (at 525px by 350px) as such...
Baaaaahhh!
Sorry. I just can't stop myself.
So, as you can see, I've positioned her head along the one line, with her forehead and muzzle on each of the intersections. I kind of like to keep this rule in mind when I'm cropping, but in all honesty, I usually crop things in a way that feels good to me. I don't utilize a grid.
Maybe I should.
I'm just telling you... Thus far, I don't.
So, cropping is done. Now, it's time to spiffy things up before we do the burned edges. Miss Sheep here needs a little somethin' somethin' to perk her up. Clicking on the little black and white circle under the layers tab, I'm going to select 'Brightness/Contrast' and set the brightness to -5 and the contrast to +40, giving me this...
A little better. But I'd like just a bit more 'ooomph', and also a bit less of the red glow that this photo seems to have. So, again clicking on the little black and white circle under the layers tab, I'm now going to select 'Hue/Saturation'. For the saturation, with the 'Master' selected, I'm going to go with a value of +10. Then, clicking on the little box that says 'Master', I'm going to select 'Reds' instead, and change this value to -15. And now we have this...
Not a huge change, but just enough for me to feel like the colors are more balanced. Let's put those last two edits side-by-side...
Super, super, SUPER subtle. But when I look at the first one, that slight pinkish glow turns me off a bit. Just toning down the reds a little puts my eyes more at ease.
But that's just me. Maybe you like the pinkish glow! Do what feels right for you.
I'm okay, you're okay.
Now let's hold hands and sing If You're Happy and You Know It...
No?
That usually works with my kids.
Let's just continue on with the photo editing. Finally, I feel like I'm ready to go ahead with my burned edge effect. I pretty much always save this until the end of my editing process. The first thing you'll want to do is select your 'Rectangular Marquee Tool'. It looks like this...
With this tool selected, drag a rectangle around the perimeter of your photo. On mine, my rectangle looks like this...
Note that it is slightly off-center. This is because, with my burned edges, I am attempting to draw in the viewer's eye to the face of the sheep. Depending on the photo, you can adjust your rectangle in different ways to draw your viewer's eye where you want it to go. But let's keep going so you can see what I mean.
Next, with your box area selected, click on 'Select' on the top toolbar, then click on 'Inverse'. Now your box will look like this...

See how it has selected the area outside your original box, instead of the inside? If this isn't obvious now, it will be easier to understand after we complete this next step. Clicking on the little black and white circle under the layers tab, select 'Solid Color'. When the color box pops up, select black. You don't have to select black (and please have fun doing this with other colors!) but I almost always do.
How's that for encouragement... You do it! Have fun! But it's not for me. Sorry. I just would never want to stifle your photographic aspirations. And Lord knows that my way is not the best way. But all I can do is tell you how I go about these things.
I am what I am.
Okay, so when you do this, your photo will now look like this...
Only one more step and we'll have some burned edges! Alrighty... Next, up in your top toolbar, click on 'Filters', then click on 'Blur', then click on 'Gaussian Blur'. For this photo, I'm going to go with a value of +50.
Now we have this...
Burned edges! Cool effect, huh?
But it is a little bit too strong for my taste, so I'm going to grab onto the opacity slider (under the layers tab) and set it at 80%, giving me this...
Yep. I like this better. Now, when you apply the gaussian blur edit, as we just did a couple steps back, you can set your value to higher -- +100 or higher -- and it will fizzle out the dark edges so that they are not quite so stark as well. However, when you do this, it sends the darkness farther into the photo more, taking away the brightness and clarity of your photo subject. So I don't like to do this. I like to set my gaussian blur with edges where I like them, then adjust the opacity after. It just works for me.
Let's compare the original with the final, shall we?
We shall.
Baaaahhhhh!!!
I think I've gotten it out of my system now. So tune in next week when we work on a nice black and white effect! I promise I won't make any farm animal noises at you.
Maybe.
And I'll tell you something else... All black and white photos are NOT created equal. Next week I'll tell you why!
